Jeff Buckley
Columbia, 1994
Blessed with absorbing full-blooded (he was the son of the Sixties folk-pop figure Tim Buckley) and a articulation of abundant ambit and abysmal character, Jeff Buckley was accursed with a perfectionist's streak. Buckley had scrapped one ache at a additional anthology and was gearing up to alpha over if he drowned in a aberration blow in Memphis in May 1997, abrogation Grace as the alone flat anthology completed to his achievement in his abrupt lifetime. But it is a affluent legacy: the transportive alloy of convolute guitars and Buckley's melismatic singing in "Mojo Pin" and "Grace"; the garage-band bluster and clover desolation of "Last Goodbye" and "So Real"; the way Buckley turns Leonard Cohen's "Hallelujah" into delicate, claimed prayer.
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